Laguna Beach Art Association Part 2

So. Last week I showed only one known artist to me and spent the time on the art and artists that were new discoveries. Then today a friend of mine sent an article on the healing properties of going to see art as an aid to healing! The title was "Take Two Emily Carr's And Call Me in the Morning." It is in fact being implemented in a certain place that will be revealed in another post. But, don't you just love it? It made my day.

First up today is William Wendt. I found out at this exhibit that he was a deeply religious man and he endeavored to do God's creation justice. I do think he succeeded as I always think of him as an amazing landscape painter.
These are not all stellar photos as sometimes the glare just could not be avoided. And I did not take photos of all the name tags. But my memory of who is who is pretty good.

William Wendt, The Mantle of Spring

His landscapes are always memorable to me. Rich in color, texture and composition. So much movement.

William Wendt

Laguna Beach. Gives you such a sense of place.

William Wendt

Below is one final photo I took of his and it was grouped with Nicolai Fechin. If that isn't high praise I don't know what is! I don't know that I have ever seen a Fechin 'seascape' before. He was a Russian Immigrant who came to the US around 1923. After living in NY for a few years he went to Taos where he painted the Taos Indians. I know him more as a portrait painter or painter of people more like. It is not known when he went to La Jolla exactly but around 1925 the tag said. A worthy artist to look into.

Nicolai Fechin top, Old Pier; William Wendt below

I did not get this artists name, but the painting below stood out in its overall simplicity yet boldness of use of Thalo blue green. This color is very strong and in the wrong hands can be overwhelming, but I was quite taken my how well he managed it.

Then there is Joseph Kleitsch, whom I have written of before. I went to the now closed Pasadena Museum of Art to see a whole exhibit on Joseph a year and a half ago. This was the last painting in this current exhibit and a fitting way to end a great show. On a lazy afternoon, strumming a guitar while a faithful companion sits patiently waiting.

Joseph Kleitsch

This is just a small taste of well put together group of artists that painted in and around Southern California 100 years ago. I once again urge anyone who is in the area to make the effort to see this exhibit that is up through January 13, 2019 at the Laguna Art Museum. Be prepared to feel a part of another time and place but in the company of some masterful artists. We are so blessed!

The Laguna Beach Art Association Exhibit

Last week I flew to SoCal. One reason was to see the Laguna Beach Art Association Exhibit at the Laguna Art Museum. Edgar Payne was one of the main founders of this art association which started in 1919. Here is a painting by Edgar Payne hanging in the exhibit. There was also a magnificent large painting from the Sierra Nevada's.

Here is my most favorite "new" artist for me. I had never heard of George Brandriff before but these two paintings are both by him and I love them for different reasons. The top one has such an amazing composition as well as being very luscious in paint application. The second one I thought had particularly well done abstracted shapes that made up the whole.

detail of the abstract handling of this painting, Sunday Reflection, 1929

Here is another new to me painter, Frank Cuprien. This painting that at first I did not really like. It took some getting used to. It comes off as so Yellow. But the longer I looked at it or tried to ignore it (both) the darn thing kept calling me back for closer inspection. And upon further reflection it too made me marvel. The foreground water is a light wash over a wonderful palette of soft pastel under-layment which is thicker in texture. I learned that Frank built a house on a hill overlooking the ocean and was known for just painting water. This painting is from 1930.

Detail from Poeme du Soir, Frank Caprien

Thomas Hunt, Newport Harbor Scene

I like this Thomas Hunt, another artist I had not heard of before, Newport Harbor Scene, as it is so graphic and simple. With the blue flag hanging down out of the top frame. Very 'edgy.' There was one other by him, also boats, although more abstract than this one.

I did not take a photo of the tag for the painting below so I do not have that information to share with you. I guess you will have to go see the show if you want to find out! It is up through early January I believe. And it is well worth a visit if you are in the area. I really enjoyed the exhibit very much. I took the photo because I liked the abstract shapes of the porch and laundry and the colors used (a wee bit of glare there). I also thought the palm tree rather lovely with the warm browns in there. Not something you see painted in on palm trees too often.

To round out this first post on this exhibition of newly discovered painters for Victoria,  I will close with Ruth Peabody. I think her style is more reminiscent of the time period in which she painted but I did like her work.

Ruth Peabody, The Cookbook

I found out about this show through American Art Review a wonderful magazine that highlights shows around the USA every two months. I find a show that interests me and then figure out if I can go. My sister moved to just north of LA last year so it was a perfect marriage to go see her and her new home and go see this show.

Cortona Italy

oil on linen panel, 15x30

Here is a scene from a trip to Italy I was on a few years back. It is in the Tuscan town of Cortona. One of the many walled used to be city states.  I was taken by the colors and the building block effect I saw as I came down a hill towards the main square. We were only there for a few hours, but in that time we went to a private wine tasting, the sprawling street market and explored many of the side streets away from the main tourist sections. Yes, there are still places in a small town to escape the disgorging of tourist buses. Even if that area seems to be shrinking daily. 

I have no name for this painting yet so if something comes to you, please let me know.

Rembrandt at the Denver Art Museum

Rembrandt - Painter as Printmaker is currently showing at the Denver Art Museum. I went to see the exhibit Friday morning with a friend. If I needed validation in redoing paintings, I got it here. This is one prime example of Rembrandt redoing a plate. As shown in the tag, the top one was the 3rd State and the bottom is the 8th State or rendition. It is like doing one of those puzzles as kids to find out what is different between two pictures. He made some major changes! There were many examples of such plate states. This particular one was larger than most and so much action going on.

To be fair,  Rembrandt often changed the plate for a client. So someone who may have liked the overall theme of this print may not have liked the crowd scene so it was removed. Or wanted more architectural details, so those were added. It was a fascinating display of an old world master. Some of his early prints were barely 1.25" x 1.25" and yet with remarkable detail and emotion. It was gratifying to see so many people there engaged in his mastery of his medium. And not just mastery but a leading edge on technique as well. I highly recommend going to see this exhibit. It is up through early January.