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| The Road to Mandrakia, 24x36, oil on linen SOLD |
I have been working on 5 larger paintings simultaneously these past several months, and possible as long as a year! Finally, one of them I am considering done. It has been a long haul. I am going to justify the length of time it has taken me because it isn't that I am a slow painter. The weather here has alternated between gray and rainy and very hot and sunny. Since I prefer to paint without artificial light in my studio, the gray days make it hard to do anything but start a new painting. The hot days drain me, as my studio is on the second floor and I do not have A/C. I do have a ceiling fan, and for the most part that does the job. Yet when it is close to 100 outside, that isn't enough. The difference is temperature when it goes from 60 and rainy to almost a 100 with no segue or steps in raise or lowering in temperature does something to the body, or at least it does to mine. Now that I have justified myself to myself, saying I am not lazy (well maybe just a bit) I will get on with this painting and why I wanted to paint it.
Five years ago I was invited to join my sister-in-law on the island of Milos in the Aegean Sea. This is the road to one of the many little spits of land that jut out around the island. Some have houses, some do not. This particular cove is famous for its Syrmata, or boat garages, which I tried not to highlight, as this painting/ story is not about them. For me it was about the road to the sea. Mandrakia is a little village down on the spit of land, even having its own little church. There is also a Taverna...naturally! The water there is so amazing. Changing colors while you watch. Each little cove or inlet has a unique feel to the water and the beach. I had never experienced anything like it before. In the intervening five years it has experienced much growth as it has been 'discovered' - I have been told there are now more houses in this view than when I was there and took this photograph.
I really got into the rhythms and pattern of the surrounding landscape while doing this painting. The land goes up and down and winds around. I hope you can follow the road that winds to the right and then again to the right by the little memorial then finally to the left and Mandrakia. It is a place special to my heart. I was there in April, and hope to go back this October if all goes accordingly.
