Door series

Two weeks ago

A month ago

Since this is how I sent what I was working on to my aunt in a letter, (yes, I still write letters, and she is 96) this is how I am presenting them here as there is no other means now to show the progression. In the bottom image is the first image I sent her on where I was at that time, about a month or so ago. Mostly blocked in and taking shape if not yet pushed to finished. The first painting in the bottom image going from left to right, Georgetown CO, Morrison CO, the green door is from Bavaria, the blue door is Orleans FR from a photo I took in B&W back in the early 70's, and the old metal chair is in front of my garage, and the only one painted plein air.

The top image has most of them nearing completion although since I took this photo a few weeks ago, Georgetown hadn't made much progress, but now is almost done. I have also worked more on the Bavarian Green door. I will post the updated grouping once I finish Georgetown. 

I have been working on some larger paintings and I started to do these 9x12's as a way to break up the monotony I sometimes get into while working on large (30x40) for me paintings. I hardly paint this small anymore unless doing studies from life. It has been fun, and I have a few more in mind to continue and riff on this theme. I showed them to some friends of mine recently and I was surprised that they both liked the same painting the most, the one I expected the least attention from. Can you guess which one it is?

Wow! How time flies...I had not realized I had been gone so long. It has been a struggle for me to write as I feel that with so much information pouring in from everywhere, who needs one small artist's thoughts on any given topic, even on art. However, I made a decision to attempt a come back for my sake and hopefully yours as well. 

Here is a painting I finished up this spring. It was started a year ago but I could not seem to work on it much until finally it called me back to the easel to getter done.

Just an Illusion, 30x24, oil on panel SOLD

Here is the block in almost finished. I wanted to see if I could get the warm yellow transitioning to cool shadows in the white house. I think that is what initially stumped me for this was about where this painting sat for so long. I would venture into the tree on the side and the foreground and even into the reflections in the windows, but not that daunting white clapboard. Once I got started on it though, I ran with it and gotter done. This painting was submitted to the Framed Image show, on blues and greens, and it sold in the first week the show was up. That is very gratifying.

I had done a poor sketch of the doorway to capture the warmth of the light even in shadow at the time I took the photo reference for this painting. I had also done another study on the back of the property to get a grasp of the feeling I wanted to remember of the whole. My on-site sketches are just that - to instill a memory of what caught my attention. I don't usually show these sketches but here we go...I did this first as this is what I came upon as I was walking around during the Georgetown Plein Air event. (of which I did not participate) I try to do these very quickly and think about the shapes. Essentially, a block in. But as you can see, the shadow side had a warmth to it that I did not want to forget.

Then the quick grab some basic info before meeting friends for lunch:

I bought this linen oil pad for just his purpose and I find it is working out well for me since I really don't plan on doing a completed painting most of the time. It does get awkward so I added a binder clip after this trying day to hold the pad pages from flapping in the breeze as I try to paint.

This years Georgetown Plein Air is the end of this month, so I am going to plan on going up to paint again with a few friends. Seeing what catches other artists eyes if always fun to observe and inspire.