Here
is a little study where I was thinking again of Rembrandt and how he
turned his portraits gently from the dark background into the light. It
is only an orange but it still was a good way to learn about the
transition on a round object. I did not paint this study in a darkened
room with a spotlight on the orange. It was in daylight in my studio on a
painted black table. In my minds eye I worked the dark red to be close
to the dark background and slowly brought it into the light. It was an
odd orange with ridges and nodules which is why I picked it. It gave
some interest to otherwise very smooth surface. Plus it had that great
stem still on it. Not sure how I found this little gem as it isn't what
you normally find in the grocery store.
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