|Critique, 30x24, oil on linen panel|
I have explained dark/light pattern before so to briefly review what that means it is to find a pattern either in the light or the dark values and then push the medium values either to the light pattern or the dark pattern. This one I used the darks to carve out the light. The dark values marry to one another to create a circle that moves the eye around. To do the assignment, for instance, the brown hair highlights of Tomiko on the left were toned down so as to not be disrupted by her highlights and to blend from Kevin's black shirt to his navy pants to her brown hair, etc. Her sweatshirt was overall a darker gray to unify with the darker areas of her hood folds. Kevin's blue cargo pants were overall darker and flatter too. I brought the mediums back out after the critique but still keeping the pattern in mind.
The other things I liked about this composition were the repeating square shapes and the angles both in the painting being critiqued and the easel and the brush holder. That is what we call the "abstract quality" and in this case, help guide the eye as well.