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Mark's class is painting from the model two nights, same pose. Monday he is not there; Thursday we can start a new painting or work on the one started on Monday. He did not comment on my work on Thursday until the end of class. He told me to soften my edges on the body so that any sharp edges in the face would have more impact and that if I would do my block in with values/colors closer to what they are (instead of "a random" dark value for the darks, to put the warm dark grey that I actually see) I would have cleaner color in the final painting. Mark is such a stickler for getting the canvas covered as quickly as possible, that my object becomes covering the white of the canvas and THEN mixing my colors. So, lesson learned: mix my block in colors as close as possible to the end product FIRST and then block in FAST! I can do this.
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