Another Go at it

Ye Olde Beer Glasses, 12x9, oil on canvas

Ok, round 2 of these beer glasses. I know I am getting behind in posting the paintings I have been working on for this month of 30 paintings in 30 days (now amended to painting every day for 30 days). I decided to work this one up again. It is not quite where it needs to be but it is far enough along to talk about. The first go around I felt the beer and the table were too close in color so in this version I lightened the table and gave more orange color to the beer to aid the contrast. The table really is sunshine yellow formica from the 60's. I believe these glasses are also from that era. They appear to be hand blown as they are both heavy glass and very irregular in shape. My drawing is really not that far off, believe it or not. I am working from a phone photo not from life. I had given this pair to my daughter for Christmas so she sent me the image to show they are enjoying the glasses. I never thought to paint them from life while they sat in my cupboards for the past 20 years!! Shame on me. And I like wheat beer, which is what these glasses are for. Weissbier in German. Prost!

Creek Crossing

Creek Crossing, 12x12, oil on linen panel

Here is something a bit different from all the still life setups I have been doing this month. The direction I was going here was to keep every thing very simple and in that I think I succeeded. It may still need a bit of fine tuning but I made myself stop as simple is simple and maybe it is time to just let some things be. Hard as that is for me to do.

I was up in Parmalee Gulch on a plein air paint out a number of years ago and we were painting along this creek when these kids came into view. I had forgotten all about this image but came across it recently and it was just what I was looking for and didn't know it.

Queen Anne's Lace, plein air study, Parmalee Gulch

This is what I was working on when the kids crossed the creek near me. The shadows were deep that fine summer day.

Hildebrand Ranch - Jeffco Open Space Park

Barn, 12x12, oil on linen panel

Today was the first time I have been out with Plein Air Artists of Colorado (PAAC) in years. It was a gorgeous morning the day after a spring like snow that came through yesterday. I have had such good intentions to get out and join them before now, but it has been amazingly difficult to add that to my schedule. I painted alone but I did go over and say hi to the group clustered on the bridge. There were a few of us singletons spread around but most were on the bridge.

I know that this is a dangerous composition; square format and subject smack dab in the middle!  I had tried to trek through the snow to get to the sunny side view but then all my gear and my feet would have been in the snow. There was no dry place over there. So I stood in the parking lot and dry pavement. Sort of dictated my view. There are a group of bare trees to the right that I have not added yet and will help break up the even sides. I had thought to paint from the road and paint the shadow side but I liked this well enough to give it a go.

The meeting place was Hildebrand Ranch Park. I had never heard of it and the reason is that it is a fairly new addition to Jeffco Open Space. It looks like some place I would like to go back to and hike. It is right up against the foothills just past the entrance to DBG at Chatfield. I am thinking the views to the east will be worth it.

Playing around

Mum study, 8x8, oil on panel

I did not have a bunch of time to paint, but that is not an excuse not to paint. I grabbed an old painting I did not like, probably from a past 30 paintings in 30 days exercise, and got to work. I really only got this quick sketch done but I am not unhappy with it thus far and see potential with going further. I like the texture coming through and what really caught my eye once this was set up was the cast shadow. I decided to make that more the focal point. The texture coming through almost makes the surface look like rice paper...hmm.

Note: I have decided I am going with 30 days of painting versus getting 30 paintings done.

Gold and more gold

10x8, oil on canvas

I have this collection of French pottery that I really like, but it is brown. No getting around that. Here are a couple of pieces. The squat piece with the top I found out by watching "Downton Abbey" is for salt. I saw Anna get it down from a kitchen shelf and I was blown away that there was my piece of pottery, of which I did not know what the original purpose was. You learn something every day.  I inherited these three pieces from my mother. The tall skinny one I think is for olive oil or wine, but that is just a guess. The short little pitcher is actually from Spain and it is for olive oil. I had first thought to use the wall as the back ground for this still life. After doing the block in I changed my mind and put the gold doll screen back there. It does add a richness to all the earthen colors.

Blockin using wall as backdrop

Now I am not sure the gold screen was such a good idea. Maybe too much of the yellow and orange and brown going on. I did that color scheme on purpose working with the repetitious shapes. It might have helped to switch the pear with the clementine. (Pardon me while I think aloud here). I did use different browns in the pottery; ie more blue in the salt cellar, more orange red in the olive oil pitcher,  and a mahogany for the pipe bowl. It is hard to see all the subtleties with the glare on the painting. That is a problem with photographing wet paint,

Butterfly Alight

Butterfly Alight, 8x8, oil on panel

Almost did not make it today. It has been a busy last few days, and easel time not so much on the dance card. I am lucky I was a few paintings ahead of the game as I did skip a few days here and there not because I did not paint but just plain forgot to post them.

A dear friend of mine lost her mother this past year and she wanted to get a butterfly painting to remember her by. Apparently at the graveside service a butterfly (she could not describe it to me) kept coming and flying around the family and friends gathered there. I mentioned that I had started a butterfly painting that I could show here when I finished it. Then I got to thinking about it and decided that the image I was working on might not be the best option. I came across this idea and it seemed more appropriate somehow. This one then was done with her mother in mind. Simple, graphic but with a nice flow to it.

Split Between the Two

Split Between the Two, 16x12, oil on linen

Here is that gold doll screen again. I so like the way one side gets the light and the other panel, not so much. Breaks up the painting so nicely. The bottles' shadows make such interesting shapes and colors against it. I am not tired of it yet. I carried two of these bottles home from Europe when you could still carry bottles on board a plane. What a concept! And that tells you how long I have had them, too. Again, I was taken by the unusual shapes. I had thought about calling this piece 'Vitae' after the name on the center label. Maybe hold that for another version using the same prop(s).  Red rice paper was used on the table this time. It did great things to the screen I think. I am so enjoying myself. 

Gin Bottles again

Block in over old plein air painting, 12x12

oil on linen, 12x12

Can you believe it? No gold screen today. I decided to turn the screen around and use the back side for a more neutral approach. The painting underneath was painted on a grey day and was of old weathered outbuildings and a concrete wall. Somehow it felt better to just keep a quieter outlook this time. I tried rearranging the gin bottles but this seems to be the way they want to work together for now. I added a tea tin and the glass bottle just to add to the composition. As you can see in the block in I was leaning towards a more abstract approach and was going to paint it flat with the bottles being united and through each other. Then I get painting and it all goes away. Maybe next time.

I could not think of a title for this one, so if you have any ideas, I am open to suggestions.

not every attempt is a success

mid-century hand blown beer glasses

A photo sent to me from my daughter's phone; I gave this pair of Weisse Bier glasses to her for Christmas. I believe they are from either the late 50's or early 60's. I grew up with them in our home. They appear to be hand-blown, hence their irregular shapes. I liked that about them. I did get further than this before I decided to wipe it off. Don't ask me why as I am not sure now. Seemed the thing to do at the time.
It is painted over an old plein air painting which is why there are still some dark blotches that don't quite make sense yet. I will be starting it again at some point as I am not to be defeated. Figured I need to post the good with the not so good. It happens...

We 3 Gins, disoriente I

We Three Gins, 12x12, oil on linen panel

I have been collecting odd shaped and colored bottles for years. Gin bottles are particularly fun and just recently a third bottle joined the collection. I really enjoyed painting this piece. The highly reflective gold screen background adds a richness to the scene and the different shapes and colors of the bottles made it pure joy to paint. I am having way too much fun.

You will see more of this gold Japanese doll screen as we move through the month. It is an easy background to put up. My sister taught English in Japan 20+ years ago. She brought this screen home to me thinking I could find a use for it. She had found it on top of someone's trash. One man's trash is another man's treasure...

Put it in your pipe and smoke it

An Odd Trio, 6x8, oil on Masonite

 A quick study done to say I painted this day. I pulled out this slick surfaced piece of Masonite being too lazy to give it a quick coat of gesso. The paint just skips over the surface, so for me with the attraction to big flat colors, it adds a texture whether I like it or not! Again, using scraps of paper to add some visual interest. Here are the much maligned hand-made brass handled scissors from India from a previous post, a mini magnifying glass that was my mother's, and a Meershaum pipe I believe belonged to my brother-in-law. This particular pipe looks like a Scotsman by the use of a thistle on his headdress not visibly apparent in this quick sketch. I had these three object in a can that I unceremoniously dumped things into to save for future use, like now.

I had originally thought I would work on this more later, but I decided I like it as is for now and am moving on.

I went looking for Meershaum pipes online as I was not sure how to spell the name. These pipes are not inexpensive so I am glad I held on to them.

Tiger Swallowtail

Tiger Swallowtail, 8x8, oil on panel

Second piece for January. We have Virginia Creeper on the fence between houses, and saw this guy alight when I was out in the garden. It was in the shadows so fairly flat light. Amazingly enough no evidence of the Japanese beetles who love to decimate the Creeper yet, so it must have been early summer...

I took the photo with my phone. It was just a perfect subject with it's wings held perfectly still. Looking up what kind of Tiger Swallowtail it is there are lots of examples with their wings out like this, so it is not that unusual. It is a Western Tiger Swallowtail, although the only real difference I could see from the Eastern version is that it is a paler yellow overall. Lots of variety within the blue and reds in both.

January Goal - 30 paintings in 30 days

I am not sure how long Leslie Saeta has been running her 30 paintings in 30 days challenge, but I participated in it last January. Surprisingly I believe I got to 25 'paintings' done (loosely using the term paintings as a few were more like studies), although my goal was anything over 15 and I would be happy. I am not participating in this worthy challenge this year as far as uploading to her website but I am going to do my best to do it for myself as a way to start off the new year.

Sewing Kit, 7.5x4.5, oil on panel

I found this odd sized board and decided to use it for a small study as you see above. I have not had large chunks of time to be at my easel during the holidays so small sounded like something I could accomplish quickly.

In my studio I have a piece I did in one of my 'get a painting done in 30 minutes' period a few years back. Here it is:

Scissor study on sample watercolor paper postcard stock

I have it in a plastic sleeve attached by binder clip to an old cigar box in my studio. During my art open house a month ago, I cannot tell you how many people commented on this little 4x6 painting. My mentor, Kevin Weckbach, used the term "sweet." Seriously. A pair of sewing scissors. I keep it up to remind me how even a pair of sewing scissors can be painted well, and apparently I was right in my assessment.

In my new found freedom of no longer working, I decided to go through my collection of still life items I have in an attempt to use them or see what might inspire. I found a pair of hand made Indian scissors; cool, right? In that vein I had been doing some sewing repairs long overdue so I had all kinds of items at hand that lent themselves to playing with the idea of sewing. I wiped off more false starts than I can mention trying to get these 'cool' scissors to not only look right but be interesting. Long story short, I remembered the attention these little Fiskers got so I pulled them out and threw them in and viola! Problem solved. I think the bright orange plastic handles are just more fun then dull brass but I am not giving up on them as subject just yet.

Does anyone even use pin cushions anymore or sew for that matter? I still have some wooden spools of various sizes and shapes and I think they might lend themselves to some fun this month, too. TBD

Marsh Wren

Marsh Wren, 8x10, oil on panel, available

Last month I thought I might participate in the 30 paintings in 30 days again this January. With that in mind I went online to morguefile to look for some interesting but not too involved royalty free photos. I had heard about this website but this was my first visit. I pulled a bunch off to be ready but then decided against doing the 30 day challenge. BUT that doesn't mean I won't play around with what I found or go back to visit again when I get tired of my own morgue file.

I liked this image for the little birds intensity and to play with keeping the background loose and somewhat abstracted. The block in was fast and fun and then I would add detail to the bird from time to time over the past few weeks. I did this painting with the thought of donating to a raffle for the Governor's show. They asked participating artists to consider donating a painting but that doesn't mean what you offer will be accepted for the raffle.

I am enjoying doing these smaller pieces while working on the bigger paintings; it helps break up the monotony and keeps things fresh. And then there is that feeling of accomplishment, too.

Randy Higbee Gallery 6x6 juried show

Pelican Study, 6 x 6 on panel

I got word Monday that I had one painting accepted out of the 1400 submitted into the Randy Higbee annual 6x6 juried show in California. I submitted three myself. I fell in love with the brown pelicans in Florida as they are so different from the white pelicans we get here in Denver. The first time I saw one dive into the Gulf was thrilling. They are such powerful birds. I also loved the way they congregated together near a ferry crossing just hanging out having a chat and an occasional dive. I think they were really hanging out waiting on the fishing boats...This is one of many I plan to do of this majestic bird. 

Happy Client: Gallery Cat found a new home

Gallery Cat found a new home!

A friend of mine, going through some difficult personal problems, bought this painting from me recently to cheer herself up. She sent me this photo to show me how well it looks on a little easel. I am so pleased it has a place of honor next to a family photo. The color of  the alcove is perfect to show of the colors in the painting.
I painted this cat in January while doing the 30 paintings in 30 days personal challenge. I loved the organic cat moving among the graphic quality of the walls in the gallery. It is gratifying for the artist to see their work hanging or in this case, sitting in its new home.
Thank you to all who invest in art at whatever level.

Pears - for the fun of it

Pears in Blue and Green, 6x6, oil on panel

Pears in Red and Green, 6x6, oil on panel

Remember back in January when I signed up to do the 30 paintings in 30 day online challenge? Well, this week I had these two charming pears in the fridge and I painted them on two different days before work. That was one of my goals for doing the challenge; To see if I could paint before or after work during the week. I don't even mind if I don't do it often, but it is nice to see I can get to my easel if only for 30," from time to time during the work week.

Recently, while reorganizing in my basement to find room for some new canvas's I ordered, I came across some very early oil paintings. So early that they are painted on cardboard. We were cautioned to not spend money on high end supplies while doing the basics. It was our first foray into color after using only black and white while learning values. They have been kept all these years because I really liked them at the time, and believe it or not, I still really like them. They are simple in shape and color but they work. Finding those old paintings made me want to paint simple shapes and color for the fun of it and so voila. Here you have it.

Also while cleaning up for above said new canvas's I realized I need to have a studio sale. It is time to clean house. There will be small studies such as these pears as well as plein air pieces and other studio works. I will keep you posted.

Heading Down Berthoud

Oil on Panel, 9x12

Here is another one from the 30 paintings in 30 days challenge that I finished up from the block in I posted last month. Surprisingly, I did not have to correct the drawing on this one. I have found while going through and reviewing what I did last month that a few definitely needed some correction. To be expected to some degree when working within a tight time frame and after a long day or days of work. It is amazing how hard we hit the ground running after the holidays.

This is heading down Berthoud Pass on Hwy 40. Must have been a wet spring since the hills are so green!

Ploffskin, Pluffskin Pelicans Three

Oil on Canvas, 6x6

I was going through all my little paintings from January (30 paintings in 30 days) and I came across this one that I did not end up posting because I did not like it at the time. My opinion has changed since I put it away a month ago. For what it is, a quick study, it has something going for it. It has three values for a local tone painting. The composition is good. It is obvious a storm is brewing. I think I was frustrated by the slick surface on this one and the paint sliding all over the place. I gave up on the rolling waves and took the white caps out. Sometimes I roll with it and other times it just seems to be a struggle. This would have been day 16 as I segued from Storm Brewing to this one as they were taken minutes apart.

Lowry In Snow 26

Lowry in Snow, 12x16, oil on panel

This photo came out very stark! But I am not sure I will have time to retake it any time soon so I am going with it. I painted over an old still life I had done in blues that was never finished and not likely to be. I figured blue and purples under a winter scape was apropos. It was a bit more difficult than I expected fighting that blue. I had a hard time with my values and colors on top of it. They still seem a bit overly warm to me and the sky needs to be a shade or two darker perhaps. Could be the light reflecting on the brushstrokes too. I am thinking out loud here...

This is the view from my window where I work on the old Lowry AFB again. This lone tree was actually in the photo with the Purple Deer on Day 20 but it did not add value. It is not a beautiful view but I have grown to love it over the years. Glad that I have a window and a view at all!

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