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Study for Line at the Louvre, 9x12, oil on canvas panel |
Here is a quick study using light, medium and dark. I like how it is
working but after seeing this cropped version of the scene, I decided to
open it back up to show the scope of the line. It was phenomenal how
many people were actually standing in line to get into the Louvre on
this rainy, gray day. I believe it took us 35 minutes. By this time we
were almost half way there! On second thought, what better place to be
on a rainy day in Paris? The Louvre is certainly large enough to take in
this crowd without much of a problem.
Back to this little study above. The hard part is deciding what to tie each value to. When using only
three values it limits your options in some ways and then there are
loads of choices to make at the same time. I originally had the umbrella
peaking into the image in the upper left corner as a medium gray catching the color of the sky. It just seemed too blah.
Making it black helped the composition remarkably. The arch was almost
as light as the sky so in the photo, the trees in the arch showed up
much more. But if the arch is "white" then it blends into the sky and we
don't get the nice band of gray we now have in the middle or the play
of patterns in the dark and light umbrellas standing in front of the
arch.
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Line at the Louvre, 30x30, oil on panel |
I decided to see what the square format would look like doing three values before I started to paint. As you can see, I divided up the umbrella of the main figure but it is not as effective as it is in the study. I do think the square format gives more of the depth and breadth of the line snaking into the Louvre so I am glad I opted to change the format. It also added more public art into the scene. There is a sculpture right above the woman with the white umbrella and another to the right of the arch.
1 comment:
Found this interesting! CLC
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