Painting in the Garden - Always an Adventure

Yesterday was a beautiful day. We have had smoke from the fires in Alberta Canada since last week creating a very gray environment. Finally, the air was clear and the temperature was perfect. The iris in my garden have not looked this good in years. In Denver, the weather conditions definitely determine what the garden is going to look like, or not, in any given year. I have not been outside painting, with the exceptions of my field sketches, yet this spring. And here it is almost June! 

All is going well for awhile until about an hour into it. I am enjoying being outside and in the flow. The occasional distraction of my puppy charging the fence barking as people and dogs walk by. THEN, a house a block away and down the street, which has been under construction for the past two years, started using a high power washer to wash the new black brick that this compound was built with. You think, down the street a block, what is the problem? It is the short block, and it is a busy street that slopes up to my house. So this street acts like a megaphone into my property when there is noise going on there. Another monstrosity, being built two doors down, and called THE PRISON by neighbors on the block, has not been half as disruptive as the one further away. It is like a microclimate situation. Living in a neighborhood that has been under constant construction the past 6 years, you would think I would be immune to the noise by now. It is not so. I don't think myself a sensitive type, but I am becoming very reactive to it, which serves no purpose, yet drills into the brain and psyche nonetheless. I had to quit working on the painting, thinking I would set up again today and finish what I could before my afternoon appointment. 

No. This painting was not destined to be completed outside. At 4 PM a wicked fast and furious hail storm blew through decimating my iris, among many other plants. Shockingly, the Particular stems I picked were the least damaged. I believe because the tree above provided some shelter. Iris in other parts of the garden were not so lucky. The good news is, that the buds withstood the assault, so not all is lost.

As of yesterday, not finished

Iris before I started

Noon light is bluer

Iris after the hail-could be worse! Morning light is red!

In the two photos of the iris, you can see part of THE PRISON. Thankfully, that piece of work is finished.

Lilacs

Day 3 -mostly done-thinking the 'vase' is too prominent

Wednesday of last week (May 10, 2023) everyone on our morning walk was talking 'hail!' So, I came home, covered my vegetable garden plants (we here in Denver know not to plant before Mother's Day-but who listens?), cut some lilacs, iris and hellebores, 'just in case' to bring inside. If nothing else I could enjoy the heavenly scent of the lilacs, or possibly even do some sketching of the flowers on the grey day that ensued. It did rain for 24 hours straight, but thankfully, no hail here. The area where I live has been called  "hail alley."

Sketch of Lilacs

Friday, so two days into the cut flowers shortened life, I decided to paint one of the vases full of lilacs. Being still overcast outside the arrangement was under artificial overhead light. I went and found an unclean previously painted panel, 24"x12" and proceeded. Sometimes, the first run on a used panel is the toughest, especially if the painting was varnished, as this one had been. I could not find a photograph of the painting so I am surprised it was varnished. Despite the effort put in by me, who knows how long ago, to remove the varnish and then sand it, it still lingers. The first flush of new paint means it is absorbed by the old varnish so I must remember to go darker and lighter in value to combat this phenomenon. It doesn't seem to matter - it all ends up monotone.

From Nicotiana to Lilacs- starting the block in- carving out shapes

Day 1-Black almost covered - allowing this layer to dry a bit

Saturday is not so gray and the sun actually shines forth from time to time. But in keeping with what I had started, I turned on the overhead lights. My thought was even if I don't finish the study, it has been fun painting from life and fighting the substrate at the same time. Today's effort felt less like a wrestling match and more fluid and easy. 

Day 2- Big shapes defined

Day 2 before quitting for the day- Lilacs holding up so far 

Day 3 Sunday is just to finish the vase. Which is really for drinking wine, I believe. I inherited it from my parents and is from the 60's when we first moved to Germany. I am not sure what it says on it but I believe it has to do with cultivation of wine.  It does have a handle but I have ever only used it for a vase.

Grey Heron - Adapting to One's Environment

Adapting to One's Environment, 12x16, available

The photo I took for this painting was taken while visiting my son in Kanazawa Japan. He had moved there to teach English a few years after graduating college. This would be around 2006. The city sits between two rivers, so I am not sure which river this is along, but as you can see, it is concrete and granite banking the river. Kanazawa sits along the Sea of Japan on the western coast of Japan. I took the photo from across the river, so the actual image is quite grainy. I had to fill in some areas that did not read well, especially around the eyes.

1. Getting the Shapes in

I sketched the bird in with a crimson colored pencil, which you can see still in this block in as I figure out relationships in shapes and values. My thought was to have the Heron blend into his 'environment,' so I used the same color palette for the granite wall and the bird.

2. Darkening down the wall

Even thought I liked the colors in the granite wall, I decided it needed to be more neutral so I added a darker value of a greyed blue overall. Dry-brushing it on to allow texture. I added a pinkish color to the concrete surface which as up to this point, I had left blank canvas. 

3. Finishing the bird

Now that the surrounding area is where I want it, I start work on finishing the bird. I softened the hard dark blacks and darkened the greys of his feathers. Also added some soft yellows and purples to his neck and head.

All these images were taken in my studio with my iPhone. I find it interesting that the earlier photos look darker than the last. 

Kevin Weckbach at Gallery 1261

I apologize in advance for not getting this out while the show was up. However, it appears to still be up on Gallery 1261's website. I went to the opening two weeks ago and was there early enough to get a chance to talk to Kevin, although not for long. He posed for his girlfriend to take this photo, so I did likewise. For those who don't know, I consider Kevin my mentor. I took his year long master painting class more than once, and though it has been many years since then, his teachings stay with me - at least most of the time.

There are so many good paintings in this show, I am surprised it did not sell out. In my opinion, he is one of the best painters of our time -based on my limited knowledge of all artists of our time. His use of color and his strong values that show up in his paintings are rarely rivaled. He paints so abstractly yet the abstract shapes pull a scene together so succinctly.

The depth!

Detail-so abstract

Detail-the blue of the river! 

Look at the brushwork! The colors!

Detail of water in the light from painting below

look at the color in the shadow side of the snow!

Wow! pure blue. The warm and the cool- no one does it better

Photos don't do justice to the vibrance of Kevin's work.  He continues to inspire me.

Sargent at the Legion of Honor

 

Detail from Landscape below

Detail from Landscape below

Spanish Hills-details above

Stunning light!

A familiar one

I am a late in posting about this exhibit, but there is still a month or so left if you happen to be in or near San Fransisco before May 14th, 2023. I was there last month, working a visit to the Legion of Honor into visiting family. It is funny how I manage to do that! (It was a rainy day or else we would have also taken the trail along the cliffs from the Legion of Honor) This is my third out of state trip to see a John Singer Sargent Exhibit  (two were in NYC and Brooklyn). This one focused only on his time in Spain. https://www.famsf.org/exhibitions/sargent-and-spain  He was so prolific there has been very little overlap in going to see his works. Thankfully, he had the ways and means to paint as much as he wanted, and we are all the richer for it. 

Sargent sure had a way with color and light. Some of these paintings positively glowed from across the room. Thankfully the day we went it was busy but not crowded so one could see both close up and from across the room. And take ones time. These are just a few examples of what caught my eye. The landscape was atypical for Sargent in my experience, but so rich in color and nuance. The last three above from the fountain to the girl walking down the street, show the continuity of his palette and how he can make the light around the fountain dance as well as light up the street from a distance or bring to life the Alhambra using very similar color mixes yet achieving very different effects.

The only disappointing aspect of this exhibition was the 'swag' being sold. The postcards chosen for reproduction did nothing for the paintings they represented and usually postcards are the better than what is printed in the books.  I tend to buy coffee mugs as I travel, and the only mug was of one of my least favorite paintings in the show, a pomegranate tree. Even my old iPhone captured the light dancing around the fountain with the beautiful reflected light! This is the third exhibit (Alice Neel at the deYoung Museum in SF and recently here at the Denver Art Museum) I have gone to in the last few years where the quality has decidedly gone down in the Museum gift shops...I can't figure that one out. Cost more, quality sadly lacking. What could possibly be the excuse? I noticed I wasn't the only one walking out without buying anything, not that I believe that to be unusual...

Struttin' his Stuff - Giant Blue Heron

Blue Heron - Strutting, 6x6, oil, available

 I did 3 sketches from life of this Blue Heron, as he hung around the beach in Pensacola FL a few years ago. He just kept walking back and forth and up and down! One sketch I cannot find, it was pen and ink- very different from this pencil sketch and the other is much like this one below, except the legs are too short in it. :-0   Finally did this small oil painting. It was intended to be submitted to the Randy Higbee 6x6 show in December, but it wasn't where I wanted it to be by the deadline. I have had this post sitting here as I tried to find the pen and ink drawing, but alas, I have given up. 

The colors of this bird, though 'blue,' are really quite varied. Such an elegant creature!

pencil sketch

 

Cabin Kitchen, oil and linen, 40x30

Here is a painting I started about two years ago now. I had driven to Arizona to visit an artist friend of mine. She had recently moved and was wanting some company to go plein air painting with. I was happy to oblige. It was mid-April, and much warmer than snowy Colorado. She had made a new friend recently who invited her to come to her cabin. I was included in that invitation, so off we went. This new friend was also a creative type and the yard of this cabin was full of these lanterns she had made. See example below. She made them out of vases, and bowls and ashtrays (from thrift stores) - whatever glassware she thought would work and then she adds a string of lights to the interior base which, though I didn't get a chance to see them lit up at night, I am sure is stunning. What a fun way to recycle and repurpose. There were LOTS of them, in all colors. They look like fun mushrooms sprouting all over the landscape. The 'mushroom' is glued to a stone base to prevent them from toppling over and breaking. 

So back to the painting. She gave us a tour of the interior of the cabin as well. They do not live in the cabin full time but it was as funky inside as it was outside. This kitchen painting is only the first I hope to do of the interior of the cabin. (I did ask permission to take photos inside.) It is a large, for me, painting, with so much going on in it, I had to let it sit, sometimes for months, to be sure the perspective was right and I wasn't getting to nit picky about details, which I am prone to do. This sat for months again once I felt it was done, and when I didn't feel inclined to go back to it, have deemed it 'finished' - at least enough to post it. I found this kitchen to be inviting; where you just want to walk in and explore. Hope you do too!